It’s Monday, what are you reading?

This meme is hosted by Sheila at Book Journey.

With a new school year comes change. And so – I have some scheduled reviews in the old format coming up.. but with the beginning of the new month my posts here are going to be changing format. That doesn’t mean the content is changing, just how it’s displayed. It was the second stage of blog work I wanted to get done over the summer, the first being.. the new theme! Do you like? I wanted simplicity, easy to read (and load), and not too much overload in the sidebar. I absolutely love how it’s worked out.

Books I’ve read this past week (Links to reviews):

1. Crewel by Gennifer Albin
2. John Saturnall’s Feast by Lawrence Norfolk
3. Tiger Lily by Jodi Lynn Anderson
4. On the Jellicoe Road by Melina Marchetta
5. Speechless by Hannah Harrington
6. Monstrous Beauty by Elizabeth Fama
7. Frozen by Mary Casanova
8. Memoirs of an Imaginary Friend by Matthew Green
9. The Dangers of Proximal Alphabets by Kathleen Alcott
10. The Time Keeper by Mitch Albom
11. What Happened to my Sister by Elizabeth Flock
12. In a Fix by Linda Grimes
13. Will Grayson, Will Grayson by John Green and David Levithan

1. The Passage by Justin Cronin
2. The Brides of Rollrock Island by Margo Lanagan
3. What’s Left of Me by Kat Zhang
4. Miss Me When I’m Gone by Emily Arsenault
5. The Death Cure by James Dashner

Books to read this week:

The war tried to kill us in the spring,” begins this breathtaking account of friendship and loss. In Al Tafar, Iraq, twenty-one-year old Private Bartle and eighteen-year-old Private Murphy cling to life as their platoon launches a bloody battle for the city. In the endless days that follow, the two young soldiers do everything to protect each other from the forces that press in on every side: the insurgents, physical fatigue, and the mental stress that comes from constant danger.

Bound together since basic training when their tough-as-nails Sergeant ordered Bartle to watch over Murphy, the two have been dropped into a war neither is prepared for. As reality begins to blur into a hazy nightmare, Murphy becomes increasingly unmoored from the world around him and Bartle takes impossible actions.

With profound emotional insight, especially into the effects of a hidden war on mothers and families at home, THE YELLOW BIRDS is a groundbreaking novel about the costs of war that is destined to become a classic.

Marian McKeever and Ben Ellis are not typical young lovers in 1957 Dublin, Ireland; she’s Catholic and teaches at Zion School, and he’s Jewish and a budding journalist. The two plan to wed, but their families object to an interfaith mhe doesn’t tell Ben. Coerced by Father Brennan (a Catholic priest who is also her uncle), Marian goes to Castleboro Mother Baby Home, an institution ruled by Sister Paulinas and Sister Agnes where “sins are purged” via abuse; i.e., pregnant girls are forced to mow the lawn by pulling grass on their hands and knees. Marian is told that her son, Adrian, will be adopted by an American family. The riveting storyline provides many surprises as it fast-forwards to 1967 where Marian and Ben are married and have a 10-year-old daughter. Marian’s painful secret emerges when she learns that her son was dumped in an abusive orphanage not far from her middle-class home and Sister Agnes is his legal guardian. Thus begins a labyrinthine journey through red tape as the couple fight to regain their firstborn child. Ultimately, 12-year-old Adrian is placed in the Surtane Industrial School for Boys, which is rife with brutality and sexual abuse at the hands of “Christian Brother Ryder.” Though unchecked church power abounds, this is not a religious stereotype or an indictment of faith. Hateful characters like Brother Ryder are balanced with compassionate ones, such as a timid nurse from the Mother Baby Home. Father Brennan deepens into a three-dimensional character who struggles to do what is right. Henry weaves multilayered themes of prejudice, corruption and redemption with an authentic voice and swift, seamless dialogue. Her prose is engaging, and light poetic touches add immediacy. For example, when Marian returned to Mother Baby Home after 11 years, she “opened the car door and stepped onto the gravel, wanting to quiet its crunch, like skeletons underneath her shoes.” Echoing the painful lessons of the Jewish Holocaust, Henry’s tale reveals what happens when good people remain silent.

A powerful saga of love and survival.

An epic novel and a thrilling literary discovery, The Orphan Master’s Sonfollows a young man’s journey through the icy waters, dark tunnels, and eerie spy chambers of the world’s most mysterious dictatorship, North Korea.

Pak Jun Do is the haunted son of a lost mother—a singer “stolen” to Pyongyang—and an influential father who runs Long Tomorrows, a work camp for orphans. There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.

Considering himself “a humble citizen of the greatest nation in the world,” Jun Do becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”

Part breathless thriller, part story of innocence lost, part story of romantic love, The Orphan Master’s Son is also a riveting portrait of a world heretofore hidden from view: a North Korea rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love. A towering literary achievement, The Orphan Master’s Son ushers Adam Johnson into the small group of today’s greatest writers.

Uncle Tom, Topsy, Sambo, Simon Legree, little Eva: their names are American bywords, and all of them are characters in Harriet Beecher Stowe’s remarkable novel of the pre-Civil War South. Uncle Tom’s Cabinwas revolutionary in 1852 for its passionate indictment of slavery and for its presentation of Tom, “a man of humanity,” as the first black hero in American fiction. Labeled racist and condescending by some contemporary critics, it remains a shocking, controversial, and powerful work — exposing the attitudes of white nineteenth-century society toward “the peculiar institution” and documenting, in heartrending detail, the tragic breakup of black Kentucky families “sold down the river.” An immediate international sensation, Uncle Tom’s Cabin sold 300,000 copies in the first year, was translated into thirty-seven languages, and has never gone out of print: its political impact was immense, its emotional influence immeasurable.

Descended from Melusina, the river goddess, Jacquetta has always had the gift of second sight. As a child visiting her uncle, she meets his prisoner, Joan of Arc, and recognizes her own power in the young woman accused of witchcraft. They share the mystery of the tarot card of the “wheel of fortune” before Joan is taken to a horrific death at the hands of the English rulers of France. Jacquetta understands the danger for a woman who dares to dream.

Married to the Duke of Bedford, English Regent of France, Jacquetta is introduced by him to a mysterious world of learning and alchemy. Her only friend in the great household is the Duke’s squire Richard Woodville, who is at her side when the Duke’s death leaves her a wealthy young widow. The two become lovers and marry in secret, returning to England to serve at the court of the young King Henry VI, where Jacquetta becomes a close and loyal friend to his new queen.

Drawing on years of research, Philippa Gregory tells the story of the Woodvilles who achieve a place at the very heart of the Lancaster court, though Jacquetta can sense the threat from the people of England and the danger of royal rivals. Not even their courage and loyalty can keep the House of Lancaster on the throne. Henry the king slides into a mysterious sleep; Margaret the queen turns to untrustworthy favorites for help; and Richard, Duke of York threatens to overturn the whole kingdom for his rival dynasty of the House of York.

Jacquetta fights for her King, her Queen, and for her daughter Elizabeth Woodville, a young woman married to a neighbor for whom Jacquetta can sense an extraordinary and unexpected future: a change of fortune, the throne of England, and the white rose of York.

A sweeping, powerful story based on history and rich in passion and legend, The Lady of the Rivers tells the story of the real-life mother to the White Queen. Philippa Gregory is writing at the height of her talent.

The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right. In this novel, her first sister story since The Other Boleyn Girl, Philippa Gregory explores the lives of two fascinating young women.

At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy. Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition.