This meme is hosted by Sheila at Book Journey.
School has started! I’ve already read some fantastic things, had great class sessions, and am barely managing not to feel overloaded. I think, in spite of being registered for 20 credit hours, if I can keep on top of things I will do fine. But that means limiting myself a lot – no constantly checking Twitter/Facebook, and focusing on my studies, practice, and reading.
Books I’ve read this past week (Links to reviews):
- The Orphan Master’s Son by Adam Johnson
- Anna Dressed in Blood by Kendare Blake
- Girl of Nightmares by Kendare Blake
- The Yellow Birds by Kevin Powers
- Uncle Tom’s Cabin by Harriet Beecher Stowe
- The Lady of the Rivers by Phillipa Gregory
- John Saturnall’s Feast by Lawrence Norfolk
- On the Jellicoe Road by Melina Marchetta
- The Map of the Sky by Felix J. Palma
- The Shoemaker’s Wife by Adriana Trigiani
- The Kill Order by James Dashner
- The Healer of Fox Hollow by Joann Rose Leonard
- Speechless by Hannah Harrington
Books to read this week:
Zitkala-Sa wrestled with the conflicting influences of American Indian and white culture throughout her life. Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.
You belong to the earth, and the earth is hard.
At the turn of the twentieth century, in a rural stretch of the Pacific Northwest in the foothills of the Cascade Mountains, a solitary orchardist named Talmadge carefully tends the grove of fruit trees he has cultivated for nearly half a century. A gentle, solitary man, he finds solace and purpose in the sweetness of the apples, apricots, and plums he grows, and in the quiet, beating heart of the land-the valley of yellow grass bordering a deep canyon that has been his home since he was nine years old. Everything he is and has known is tied to this patch of earth. It is where his widowed mother is buried, taken by illness when he was just thirteen, and where his only companion, his beloved teenaged sister Elsbeth, mysteriously disappeared. It is where the horse wranglers-native men, mostly Nez Perce-pass through each spring with their wild herds, setting up camp in the flowering meadows between the trees.
One day, while in town to sell his fruit at the market, two girls, barefoot and dirty, steal some apples. Later, they appear on his homestead, cautious yet curious about the man who gave them no chase. Feral, scared, and very pregnant, Jane and her sister Della take up on Talmadage’s land and indulge in his deep reservoir of compassion. Yet just as the girls begin to trust him, brutal men with guns arrive in the orchard, and the shattering tragedy that follows sets Talmadge on an irrevocable course not only to save and protect them, putting himself between the girls and the world, but to reconcile the ghosts of his own troubled past.
Kami Glass loves someone she’s never met . . . a boy she’s talked to in her head ever since she was born. She wasn’t silent about her imaginary friend during her childhood, and is thus a bit of an outsider in her sleepy English town of Sorry-in-the-Vale. Still, Kami hasn’t suffered too much from not fitting in. She has a best friend, runs the school newspaper, and is only occasionally caught talking to herself. Her life is in order, just the way she likes it, despite the voice in her head.
But all that changes when the Lynburns return.
The Lynburn family has owned the spectacular and sinister manor that overlooks Sorry-in-the-Vale for centuries. The mysterious twin sisters who abandoned their ancestral home a generation ago are back, along with their teenage sons, Jared and Ash, one of whom is eerily familiar to Kami. Kami is not one to shy away from the unknown—in fact, she’s determined to find answers for all the questions Sorry-in-the-Vale is suddenly posing. Who is responsible for the bloody deeds in the depths of the woods? What is her own mother hiding? And now that her imaginary friend has become a real boy, does she still love him? Does she hate him? Can she trust him?
Sixteen-year-old Neryn is alone in the land of Alban, where the oppressive king has ordered anyone with magical strengths captured and brought before him. Eager to hide her own canny skill—a uniquely powerful ability to communicate with the fairy-like Good Folk—Neryn sets out for the legendary Shadowfell, a home and training ground for a secret rebel group determined to overthrow the evil King Keldec.
During her dangerous journey, she receives aid from the Good Folk, who tell her she must pass a series of tests in order to recognize her full potential. She also finds help from a handsome young man, Flint, who rescues her from certain death—but whose motives in doing so remain unclear. Neryn struggles to trust her only allies. They both hint that she alone may be the key to Alban’s release from Keldec’s rule.
Homeless, unsure of who to trust, and trapped in an empire determined to crush her, Neryn must make it to Shadowfell not only to save herself, but to save Alban.
Marian McKeever and Ben Ellis are not typical young lovers in 1957 Dublin, Ireland; she’s Catholic and teaches at Zion School, and he’s Jewish and a budding journalist. The two plan to wed, but their families object to an interfaith marriage. And when Marian becomes pregnant, she doesn’t tell Ben. Coerced by Father Brennan (a Catholic priest who is also her uncle), Marian goes to Castleboro Mother Baby Home, an institution ruled by Sister Paulinas and Sister Agnes where “sins are purged” via abuse; i.e., pregnant girls are forced to mow the lawn by pulling grass on their hands and knees. Marian is told that her son, Adrian, will be adopted by an American family. The riveting storyline provides many surprises as it fast-forwards to 1967 where Marian and Ben are married and have a 10-year-old daughter. Marian’s painful secret emerges when she learns that her son was dumped in an abusive orphanage not far from her middle-class home and Sister Agnes is his legal guardian. Thus begins a labyrinthine journey through red tape as the couple fight to regain their firstborn child. Ultimately, 12-year-old Adrian is placed in the Surtane Industrial School for Boys, which is rife with brutality and sexual abuse at the hands of “Christian Brother Ryder.” Though unchecked church power abounds, this is not a religious stereotype or an indictment of faith. Hateful characters like Brother Ryder are balanced with compassionate ones, such as a timid nurse from the Mother Baby Home. Father Brennan deepens into a three-dimensional character who struggles to do what is right. Henry weaves multilayered themes of prejudice, corruption and redemption with an authentic voice and swift, seamless dialogue. Her prose is engaging, and light poetic touches add immediacy. For example, when Marian returned to Mother Baby Home after 11 years, she “opened the car door and stepped onto the gravel, wanting to quiet its crunch, like skeletons underneath her shoes.” Echoing the painful lessons of the Jewish Holocaust, Henry’s tale reveals what happens when good people remain silent.
The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right. In this novel, her first sister story since The Other Boleyn Girl, Philippa Gregory explores the lives of two fascinating young women.
At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy. Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition.